Very Paranoia – “Make Me / Out Of Touch” 7″ out Nov. 4th!

Very Paranoia is a crude San Francisco unit operated by four veterans of the Psychic Wars. Founded by members of Lecherous Gaze, Annihilation Time, Hot Lunch, and Assemble Head, the band spews raw mechanical violence alternately described as “aggro-hooch metal,” “amphetamine pub rock,” and “scuzz-crud boogie.” Classifications aside, Very Paranoia’s sound is shaped by the cult-artists and underground characters found in multiple sub-genres throughout the twisted history of rock ‘n’ roll. May interest fans of MC5, Pink Fairies, Status Quo, Dr. Feelgood and Flamin’ Groovies.

Edition of 200 copies on black vinyl.

First 50 copies include a screen printed patch!

(Shipping starts October 28th)



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We’re more than happy to announce the release of Lean Into The Breeze, the long-awaited sophomore album by SWEET CHARIOT, out now on Who Can You Trust? Records!

Sweet Chariot is a San Francisco and Oakland based band with members who prefer old gear and cold beer. Their timeless rock ‘n’ roll is a blend of pickled pub rock and greasy biker boogie trimmed in the smoky tones of West Coast canyon-twang.

Lean Into The Breeze is the band’s second album, but it’s their first for Who Can You Trust? Records. These songs were tracked and mixed on a vintage Tascam 388 analog eight track by producer and recording artist Walker Phillips. Though the band’s eponymous debut flirted with ‘70s inspired California country rock, this album finds the foursome dialing down the Gram Parsons and turning up Graham Parker. Lean Into The Breeze is still rooted in rustic tones, but the songwriting comes from a more modern take on British pub rock, jangly guitar pop and hard throttled boogie jams. Influenced by such bygone bands as Creedence Clearwater Revival, The Grease Band, The Byrds and Big Star, Sweet Chariot also found themselves inspired by Teenage Fanclub, GospelbeacH, Shannon And The Clams, Endless Boogie, and Chris Robinson, who along with Isaiah Mitchell, jumped up onstage with the band last year. Sweet Chariot has also shared stages with NRBQ, Mother Hips, The Flamin’ Groovies, New Riders Of The Purple Sage, Jesse Dayton, Beachwood Sparks, Allah-Las and the late, great Pegi Young.

Sweet Chariot comprises singer/guitarist Eric Shea (Hot Lunch, Mover) and Planes Of Satori drummer Chris Labreche – both from the bygone band Parchman Farm. They also landed bass player Doran Shelley, a former member of The Cramps and Nik Turner’s Hawkwind. Ride The Blinds’ frontman Chris Guthridge completes the band with shared singing duties and top-shelf lead guitar playing.

Edition of 500 copies on black vinyl.


(The first 100 copies include a free Sweet Chariot sticker!)



Dealer – “End Breed / Gemini” 7″ out now!

“Dealer rips” should be a familiar adage to anyone in the Bay Area who has given a damn about rock and roll through the past few years, and the band’s final recordings –“End Breed” b/w “Gemini”– hammer in that sentiment like a nail in a coffin. There’s very little beauty in this music. The songs are ugly and mean, way too fast and a little out of tune, everything competing and melding together in some vain, chaotic display of ignorant bravado. You might even call it Dealer at their finest.

Part of the “FROM WCYT? WITH LOVE..” series.


Edition of 100 copies on black vinyl, housed in a hand-stamped recycled cardstock sleeve.

*Dealer logo/stamp by C. Dräger.



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Hot Lunch – “Haul Of Meat” 7″ out now!

“Three years since their 2015 Slappy Sunday EP, Hot Lunch has returned from El Studio with a piping hot new single. Yes, “Haul Of Meat” is another song inspired by skateboarding. But this isn’t a love letter. If you were expecting them to articulate how falling and getting back up is a metaphor for persistence, you’ve made a wrong turn. Go back. Rebate. And no, this is not one of those inspirational anthems about how pain is just “the feeling of fear leaving your body.” Upon close listen to “Haul Of Meat,” it sounds like the band is trying to warn you that your next case of road rash could wind up as Satan’s ground beef. Ergo, the members of Hot Lunch are not ambassadors of skateboarding. They are harbingers of hamburgers. “Haul Of Meat” is a skatanic and cautionary canticle that rolls like an avalanche of high-voltage, overdriven fuzz across rumbling rhythms birthed by broken tectonic plates beneath Earthquake City. When asked to explain the caustic lyrics of this urethane-and-wood musing, the band replied, “You know when sometimes you slam so hard that your scabs become cheeseburgers for Satan and the tail of your deck turns into the devil’s spatula?” When further pressed to clarify, they added, “We have a holographic memory. Satan!””


Edition of 500 copies on black vinyl.

*Cover art by Starcade Designs.



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PUSHY – “Hard Wish” LP out now!

“Have you ever watched the 1977 video of Ram Jam playing “Black Betty” in somebody’s front yard and asked yourself, “Why don’t we have bands who party like that anymore?” And after the very first time you witnessed a young bellbottomed James Gang set up their gear in the Mexicali desert and riff through “Laguna Salada” during the opening credits to the 1971 film Zachariah, did you ask yourself, “Are there even any bands this good today?” Or what about that time you laid virgin eyes upon the gatefold to ZZ Top’s Tres Hombres and took in a panoramic photograph that could only be described as a taqueria orgy? Did you ask, “Why can’t a newer style band make me feel this special?”

The answer to all these questions lives and pulses within the four musicians who comprise the Portland, Oregon based hard rock quartet, Pushy. If your ears have yet to be seduced by the God-hammered choogle of Pushy, it’s not too late for you. Their debut album Hard Wish has been captured in the band’s natural element and then released into the wild by the good people of Who Can You Trust? Records – a label that knows how and where to mine the rich ore of timeless rock ‘n’ roll. If the hot buttered distortion of the opening song “Fanny’s” (with its saucy boogie and howling guitar leads) doesn’t put an electric strut in your butt, there’s a pretty good chance that rock ‘n’ roll may be none of your business.

John Fogerty once sang that the people on the river are happy to give. But if you listen closely to the hard and heavy stomp of “Nasty Bag,” it sounds like the people on the river are waiting to kill you. Pushy have the power of rock surging through their veins and sometimes this power channels stories and spirits to help move you into parallel dimensions. Take “El Hongo” for instance – between Ron Wesley coaxing a gold top Les Paul to scream and wail through a tweed Victoria Bassman, and Adam Burke crooning for us to take it easy and close our eyes, there could never exist a reason why we would ever want to not keep on chooglin’. And when Travis Clow and Neal Munson kick off the album’s bookend jam “Lay of the Land” with their callused hands working a well-oiled rhythm section, you can almost smell the grease burning on the gears as the bass and drums pump out a loose and juicy groove that’s just begging for the guitars to rain riffs like there’s a storm in hell and we’re all invited to hang out and drink their beer.”

-Eric Shea (Hot Lunch/Sweet Chariot)


Edition of 500 copies on black vinyl.

*Cover art by Adam Burke.



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VA “SWEET TIMES – Volume 6” out now !!!

“It is with great pleasure and awe that i’m presenting you the sixth (!) …and (without any doubt) the heaviest and (most-likely) meanest volume of “SWEET TIMES” yet, that is available from Who Can You Trust? Records as of now!

This time the artwork has been handled by the one and only Jesse California, which guarrantees you a package that is as sweet as it can get (not only sound-wise) !!!

„SWEET TIMES – Volume 6 features brand new recordings by Dealer (former Sexless) from Oakland, California… (If you haven’t yet, go and check out their full-length on Wicked World Records!!), Char-Man (feat. Zarian from Lecherous Gaze on vocals!), Hydromedusa (the self-described Rock & Roll parasites from of Adelaide, South Australia!) and (if that wasn’t enough already…) there’s also a shiny new ripper from Zig Zags that’ll find you senseless after the last note, hidden in the deepest corner of the run-out groove !!! OH MY…”

Edition of 500 copies on black vinyl.




SUPERSONIC BLUES – Debut 7″ vinyl out now!

“Emerging from the same musical underground that spawned the classic acid blues rock of Orange Sunshine, a new generation on the rise is bringing us the first offering of SUPERSONIC BLUES, a young band from The Hague, Holland.

Inspired by the late 60s/early 70s blues, funk and soul, there’s no doubt they had to take the shortest and best way into the halls of Motorwolf Studios, The Hague, led by Guy Tavares of Orange Sunshine / Motorwolf Records. What came out is a debut of old school garage blues and fuzzy acid rock in it’s perfect tonal and physical form!

This is the type music you only want to listen to on your record player …nowhere else.”


Edition of 400 copies on black Vinyl.






“Sometimes you have to bring the outside inside.

But it’s not always easy to translate a band’s live performance to tape. Lucky for true disciples of rock ‘n’ roll, there is Who Can You Trust? Records. The good people at this label have somehow tapped into a vein of rich analog ore. These recordings yield music captured with the intimate and immediate presence of going out to experience a memorable live performance.

The new Ragged Barracudas 12” vinyl split LP with Pushy is a prime example of this lightning-in-a-bottle effect. Listening to the ‘Cudas’ sinister cave dweller’s dirge “Burning” feels like you’re a few feet away from the stage they’re playing on. Similarly, when the slow-burning “Tables Turn” begins to heat up like an old vacuum tube, there’s a palpable sensation that a longhaired trio of punks from Cleveland, Ohio have arrived from the late ‘70s to rehearse in your living room. You’ve never heard a wah pedal sound this threatening before.

The city of Portland, Oregon should award Pushy for bringing boogie back. This is the kind of boogie that sticks to your denim flares like hot oil leaking from a ’59 Panhead engine. In a realm where riff-rock has painted itself into a darkened corner of pentatonic predictability, Pushy dare to swing and strut like half their musical DNA is the result from being the illegitimate sons of Billy Gibbons and Peter Green. The other half of their stylistic compound sounds rooted in a lifestyle where slugging iced cans of Schlitz from a faded red cooler while trolling for rainbow trout is the base foundation of a good day. Diming the volume on “Salem Man” through some big wooden speakers is almost as good as going out to see this timeless and talented quartet of hard and heavy boogie-rock lifers.

Drop the needle, turn up the volume and bring the outside inside.”

Edition of 500 copies on black vinyl.

*Cover art by Adam Burke.





VA “SWEET TIMES – Volume 5” out now !!!

SWEET TIMES for the 5th time… what could i say?

If you’ve made it here, you’re either just walking by, or… you ran through all the previous volumes and know what you’re in for! The formula hasn’t changed as Who Can You trust? is still the same old label you used to love (or not)! …you decide!

On the fifth volume you have to expect a new jam by the Ragged Barracudas from Germany, aswell as exclusive recordings by San Francisco’s Banquet, Queen Crescent and Long Beach’s Plant Tribe!”

Edition of 500 copies on black vinyl.

*Cover art by Clint Baechle.




VA “SWEET TIMES – Volume 4” out now !!!

“Not less quiet then its predecessors, the fourth installment of the already infamous SWEET TIMES series is a tiny slab of vinyl filled with everything – from raunchy, down-and-dirty rock to loud, in-the-red psych and acid rock madness!”

(featuring brand new tracks by: PUSHY, COMET CONTROL, OLDER SUN and OVER-GAIN OPTIMAL DEATH)

Edition of 500 copies on black vinyl.

*Front and folder art by Adam Burke / back cover by Christian Dräger.


sweet times vol 4 7inch